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It's All Over Now Baby Blue With Lyrics

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1965 vocal by Bob Dylan

"It'southward All Over Now, Baby Blue"
Song past Bob Dylan
from the album Bringing It All Dorsum Home
Released March 22, 1965 (1965-03-22)
Recorded Jan 15, 1965
Studio Columbia Recording, New York City
Genre Folk rock, folk
Length 4:12
Label Columbia
Songwriter(s) Bob Dylan
Producer(south) Tom Wilson
Audio sample
  • file
  • assist

"Information technology's All Over Now, Baby Blue" is a vocal written and performed past Bob Dylan and featured on his Bringing It All Dorsum Home album, released on March 22, 1965, by Columbia Records. The song was recorded on January 15, 1965, with Dylan's audio-visual guitar and harmonica and William E. Lee's bass guitar the just instrumentation. The lyrics were heavily influenced by Symbolist poetry and bid farewell to the titular "Baby Bluish". There has been much speculation about the real life identity of "Baby Bluish", with possibilities including Joan Baez, David Blueish, Paul Clayton, Dylan's folk music audience, and even Dylan himself.

"It's All Over At present, Baby Bluish" has been covered many times by a variety of artists, mosty notably by Them, Baez and the Byrds. Them'southward version, released in 1966 influenced garage bands during the mid-60s and Beck later sampled information technology for his 1996 single "Jack-Ass". The Byrds recorded the song twice in 1965 as a possible follow up unmarried to "Mr. Tambourine Human being" and "All I Really Desire to Do", merely neither recording was released in that class. The Byrds did release a 1969 recording of the vocal on their Ballad of Easy Rider album.

Bob Dylan's version [edit]

Composition and recording [edit]

Bob Dylan most likely wrote "Information technology's All Over Now, Infant Blue" in January 1965.[1] The master take of the song was recorded on January 15, 1965, during the sessions for the Bringing It All Back Home album and was produced by Tom Wilson.[2] The runway was recorded on the same mean solar day Dylan recorded the other three songs on side ii of the album: "Mr. Tambourine Man", "Gates of Eden" and "Information technology's Alright Ma (I'm Just Haemorrhage)".[iii] Dylan had been playing those other songs alive for some time, assuasive them to evolve earlier recording of the album commenced.[2] For "It'south All Over Now, Babe Blue", withal, Dylan wanted to record the song before he became too familiar with it.[ii] In that location were at to the lowest degree two studio recordings prior to the 1 that was released on the anthology. Dylan recorded a solo acoustic version on January xiii, 1965 (first released in 2005 on The Homemade Series Vol. 7: No Direction Home) and a semi-electric version on January 14.[2]

The version of the song on the anthology is sparsely arranged with Dylan accompanying himself on acoustic guitar and harmonica, with William Due east. Lee playing bass guitar.[2] Author Clinton Heylin states that the vocal is another of Dylan's "'go out in the real world' songs, similar "To Ramona", though less conciliatory – the tone is crueler and more demanding."[4] As well as being the last track on Bringing It All Dorsum Home, "It's All Over Now, Babe Bluish" was likewise the last vocal to be recorded for the album.[ii]

Bill Janovitz of AllMusic describes the music equally beautiful, with folk guitar chord changes and a somber melody, while the chorus, with its line "and it's all over now, Baby Blue" has a heartbreaking quality to information technology.[five] Similar other Dylan songs of the period, such as "Chimes of Liberty" and "Mr. Tambourine Homo", the lyrics of "It'south All Over Now, Baby Bluish" conduct the stiff influence of Symbolist poets such as Arthur Rimbaud.[5] Lines such every bit "take what you accept gathered from coincidence" reflect the I Ching philosophy that coincidence represents more than mere chance.[1] [half dozen] The song was described past Q magazine as, "The almost toxic of strummed buss-offs, with not a snowball's take chances in hell of reconciliation." Dylan, after describing the song, said that "I had carried that vocal around in my head for a long fourth dimension and I think that when I was writing it, I'd remembered a Factor Vincent song. It had e'er been one of my favorites, Baby Blue... 'When commencement I met my babe/she said how do you do/she looked into my eyes and said/my name is Baby Blue.' It was 1 of the songs I used to sing back in high school. Of class, I was singing most a different Babe Blue."[seven]

Identity of "Baby Blue" [edit]

Dylan'south two previous albums, The Times They Are A-Changin' and Another Side of Bob Dylan both concluded with a farewell song, "Restless Farewell" and "It Ain't Me, Babe" respectively.[eight] "It's All Over Now, Babe Blue" concludes Bringing Information technology All Back Dwelling house in consistent fashion.[viii] Much speculation has surrounded who or what the "Babe Blue" to whom Dylan is singing farewell is. Although Dylan himself has remained mute on the subject, Dylan scholars believe that it is probably an amalgam of personalities within Dylan'southward social orbit. I person who has been regarded as the subject of the vocal is folk singer Joan Baez.[six] [8] Dylan and Baez were notwithstanding in a relationship and were planning to tour together, but Dylan may have already been planning to leave the relationship.[8] Another possibility is a singer-songwriter named David Blue.[1] A friend or acquaintance of Dylan'south from his days in New York Urban center's Greenwich Village, Blueish is pictured on the cover of Dylan and the Ring'due south The Basement Tapes album wearing a trench coat.[5] Yet some other possibility is Dylan'south i-time friend, folk singer Paul Clayton.[1] [2] Although Clayton had been Dylan'due south friend throughout 1964, and had accompanied Dylan on the road trip beyond the United States on which "Chimes of Freedom" and "Mr. Tambourine Homo" were written, by 1965 he may have become more devoted to Dylan than Dylan was comfortable with, and Clayton's apply of amphetamines may have made him hard to be around.[one] [two] Still, author Paul Williams, in his book Performing Artist: Book One 1960–1973, counters that "Dylan may have been thinking of a particular person as he wrote it, only not necessarily", adding that the vocal has such a natural, flowing construction to information technology, that it could "easily have finished writing itself before Dylan got around to thinking nearly who 'Baby Blue' was."[4]

medium shot of a woman with long dark hair on left and man playing an acoustic guitar on the right

1963 photo of Joan Baez, left, who has sometimes been regarded as the subject of the song and also covered it, with Bob Dylan, who wrote the song

Some other interpretation of the vocal is that it is directed at Dylan's folk music audience.[9] The song was written at a time when he was moving away from the folk protest motion musically and, as such, can be seen equally a farewell to his days as an acoustic guitar-playing protestation singer.[v] Dylan's choice of performing "It's All Over Now, Baby Blue" as his concluding acoustic vocal at the infamous Newport Folk Festival of 1965, after having had his electric set met with boos, is frequently used as prove to support this theory.[5] That item performance of the song is included in Murray Lerner's moving picture The Other Side of the Mirror.[v]

Yet some other interpretation is that Dylan is directing the farewell to himself, particularly his acoustic performer cocky.[6] [8] [nine] [10] [11] The opening line "You lot must leave now" can exist a control, like to the line "Get abroad from my window" that opens "Information technology Ain't Me, Baby".[10] But it can also be an imperative, meaning just that it is necessary that you lot get out.[10] And the song is as much most new beginnings as it is about endings.[i] The song not only notes the requirement that Babe Blue leave, just too includes the promise that Babe Blue will move forward, in lines such every bit "Strike another match, go get-go anew".[1] If Dylan is singing the song to himself, and so he himself would exist the "vagabond who's rapping at your door / standing in the clothes that you once wore".[ten] That is, the new, electric, surrealist Dylan would be the vagabond, non yet having removed the "clothes" of the sometime protest singer.

Alternatively, the vagabond and "stepping stones" referenced in the song have been interpreted as Dylan'south folk audience whom he needs to leave behind.[6] [8] He would also be telling himself to "Forget the dead you've left, they volition not follow you."[11] Others to whom he may exist saying farewell in the song are whatever of the women he had known, the political left or to the illusions of his youth.[11]

Finally, of grade, Bob Dylan'due south own eyes were historic by Joan Baez in her memory song Diamonds & Rust equally "bluer than robins' eggs".

Legacy [edit]

In add-on to appearing on the Bringing It All Back Home album, "It'southward All Over Now, Baby Blue" was also included on the compilation albums Bob Dylan'due south Greatest Hits Vol. II (1971), The Essential Bob Dylan (2000), Dylan (2007), and the U.k. version of Bob Dylan's Greatest Hits (1967).[v] Dylan played the song for Donovan in his hotel room during his May 1965 bout of England in a scene shown in the 1967 D. A. Pennebaker documentary Dont Look Back.[five] [6] The showtime studio accept of the song, recorded on January 13, 1965, was released in 2005 on The Homemade Series Vol. 7: No Management Home, the soundtrack to Martin Scorsese's documentary No Direction Home,[5] and once more in 2015 on the half-dozen-disc and 18-disc versions of The Bootleg Series Vol. 12: The Cutting Edge 1965–1966.

Dylan's May 1, 1965, alive performance of the song in Liverpool, England is included in Live 1962–1966: Rare Performances From The Copyright Collections (2018). A live version from Dylan's famous May 17, 1966, concert in Manchester, England (popularly but mistakenly known as the Imperial Albert Hall concert) was released in 1985 on Dylan's box prepare Biograph and after included on The Bootleg Series Vol. 4: Bob Dylan Live 1966, The "Royal Albert Hall" Concert.[12] A alive version from December 1975, recorded during the first Rolling Thunder Revue bout, is contained on The Bootleg Series Vol. five: Bob Dylan Live 1975, The Rolling Thunder Revue (2002)[13] and The Rolling Thunder Revue: The 1975 Live Recordings (2019), while a June 1981 operation appears on the Palatial Edition of The Bootleg Series Vol. thirteen: Problem No More 1979–1981 (2017).

In Nov 2016, all Dylan's recorded live performances of the vocal from 1966 were released in the boxed fix The 1966 Live Recordings, with the May 26, 1966, performance released separately on the album The Existent Royal Albert Hall 1966 Concert.

As of 2009, Dylan connected to perform the song in concert.[14]

In a 2005 readers' poll reported in Mojo, "It's All Over Now, Baby Blue" was listed as the number 10 all-time best Bob Dylan song, and a similar poll of artists ranked the song number vii.[15] In 2002, Uncut listed information technology as the number xi all-time best Bob Dylan song.[16]

Covers [edit]

Them's version [edit]

"Information technology'due south All Over Now, Babe Blue"
It'sAllOverNowBabyBlue-Them.jpg

1966 Dutch picture sleeve
Single by Them
from the anthology Them Again
B-side
  • "I'm Gonna Dress in Black" (Holland)
  • "Bad or Good" (Germany)
Released
  • Oct 1966 (1966-x) (Holland)
  • December 1973 (Germany)
Recorded 1965
Studio Decca Studios, London
Genre Rock, folk rock
Length three:50
Characterization Decca
Songwriter(s) Bob Dylan
Producer(s) Tommy Scott
Sound sample
  • file
  • help

Man wearing a grey hat and grey jacket and glasses holding a microphone near his face.

Van Morrison covered "It's All Over Now, Baby Blue" both as a member of Them and as a solo artist.

The Belfast band Them (featuring Van Morrison) recorded a cover of "It'southward All Over Now, Baby Blue" that was first released on their album, Them Once again, in January 1966 in the UK and Apr 1966 in the U.S.[17] [xviii] [xix] The song was subsequently issued as a single (b/w "I'grand Gonna Dress in Black") in the Netherlands during October 1966 but failed to reach the Dutch Singles Chart.[20] It was later re-released in Frg in December 1973 with "Bad or Expert" on the B-side, post-obit its advent in the 1972 German language telly moving-picture show, Die Rocker (aka Rocker).[21] [22] The single became a striking in Germany, first entering the charts in Feb 1974 and peaking at number 13, during a chart stay of 14 weeks.[23]

Morrison recalled his beginning encounter with Dylan's music in an interview in 2000: "I think I heard [The Freewheelin' Bob Dylan] in a record store in Smith Street. And I merely thought information technology was just incredible that this guy's non singing about 'moon in June' and he's getting away with it... The subject affair wasn't pop songs, ya know, and I idea this kind of opens the whole thing up."[24] Morrison's record producer at the fourth dimension, Bert Berns, encouraged him to observe models for his songs, so he bought Dylan's Bringing It All Dorsum Domicile album in March 1965.[25] Ane of the songs on the anthology held a unique fascination for Morrison and he presently started performing "It's All Over Now, Babe Bluish" in small clubs and pubs as a solo artist (without Them).[25]

Producer Tommy Scott was conscious of the importance of Dylan's music on the current popular scene and was eager for Morrison to cover "Information technology's All Over Now, Baby Blue" during the 1965 sessions for Them'south second LP.[25] [26] Later on a failed, preliminary attempt to record the track with session pianist Phil Coulter at Regent Sound studios in London, Scott reconsidered his approach to the song.[26] Scott recalled in interview that "The number wasn't going down, Van wasn't sure. Then the guys said he didn't fancy it and idea information technology was inexpensive because I'd tried to become after the "Hither Comes the Night" tempo."[26] The band returned to the vocal during a later session at Decca'due south recording studios.[26] Scott decided to rearrange the song'south musical backing, incorporating a distinctive recurring blues riff and piano work from Them'due south keyboard player, Peter Bardens, resulting in a finished recording that the band were satisfied with.[26] The vocal featured one of Morrison's nearly expressive vocals and included subtle changes to Dylan's lyrics; instead of singing "Forget the dead y'all've left" Morrison alters the line to "Forget the debts you've left".[24] [26]

Greil Marcus stated in a 1969 Rolling Rock review that "Only on Dylan'due south 'Information technology'south All Over Now, Baby Bluish' does Van truly shatter all the limits on his special powers...Each annotation stands out as a special creation – 'the centuries of emotion that go into a musician's choice from 1 notation to the next' is a phrase that describes the startling depth of this recording. Played very fast, Van's voice nearly fighting for command over the band, 'Babe Blue' emerges every bit music that is both dramatic and terrifying."[27] In recent years, writer Clinton Heylin has noted that Them's 1966 recording of the vocal is "that 18-carat rarity, a Dylan embrace to lucifer the original."[28] Later Van Morrison left the band in 1966, Them spinoff group, The Belfast Gypsies, recorded a comprehend of the song on their 1967 album, Them Belfast Gypsies.[29] [xxx] [31]

Them'south estimation of the vocal, with Morrison every bit vocalist, became influential during the years 1966 and 1967, with several garage rock bands, including The Chocolate Watchband and The West Coast Pop Art Experimental Band, recording versions of the vocal that were indebted to Them'south cover version.[32] Brook used a sample of Them's 1966 recording of "It'due south All Over Now, Baby Blue" as the basis for his single "Jack-Ass", which appeared on his 1996 album, Odelay (see 1996 in music).[5] Insane Clown Posse later sampled Brook'southward song as the footing for "Another Love Vocal", which appeared on their 1999 anthology, The Amazing Jeckel Brothers.[33] Pigsty's cover of the song too uses Them's recording every bit a blueprint.[5] Them'south original 1966 version of the song has appeared in movies, such as the 1996 picture Basquiat, the 1972 German moving-picture show Rocker by Klaus Lemke and the 2000 pic Girl, Interrupted.[22] [34] [35] [36]

In 1993, Van Morrison included Them's encompass of the song on his compilation album The Best of Van Morrison Book Two.[37] In addition to recording "It'due south All Over Now, Baby Blue" with Them, Morrison has covered the song frequently in concert throughout his solo career, beginning in 1974, but has never released a studio or live recording of it as a solo creative person.[38] In 1984, Morrison made a guest appearance at ane of Bob Dylan's concerts in London and the two musicians performed a duet of "It's All Over At present, Baby Blueish".[39] Morrison and Dylan also sang a duet of "Information technology's All Over At present, Baby Blue" at the final concert of Dylan's 1984 tour on July 8, 1984, at Slane Castle, Republic of ireland.[forty]

In a 2009 Paste mag readers, writers and editors poll of the 50 All-time Bob Dylan Covers of All Time, Them'southward version of "It's All Over Now, Infant Blue" was ranked at number 28.[41]

The Byrds' version [edit]

"It's All Over Now, Baby Blue"
Vocal by the Byrds
from the album Ballad of Easy Passenger
A-side "Jesus Is Just Alright"
Released Oct 29, 1969 (1969-10-29)
Recorded July 22, 1969
Studio Columbia, Hollywood, California
Genre Folk rock, country stone
Length iv:53
Characterization Columbia
Songwriter(s) Bob Dylan
Producer(south) Terry Melcher

The Byrds' recording of "It's All Over Now, Baby Blue" first saw release on October 29, 1969, every bit office of the ring's Ballad of Easy Passenger album.[42] [43] The song as well appeared on the B-side of the band's December 1969 single, "Jesus Is Just Alright", which reached number 97 on the Billboard Hot 100 chart.[43] [44] The Byrds had previously attempted to record the song on two split up occasions, some iv years earlier, during studio sessions for their 2d album, Turn! Turn! Plough! [45]

The Byrds initially planned to release "It's All Over Now, Baby Blue" in 1965, equally a follow-upwards to their previous hit Bob Dylan covers, "Mr. Tambourine Man" and "All I Actually Want to Exercise".[46] The band's first attempt at recording the song was on June 28, 1965: resulting in an irreverent, garage rock style take on the song.[42] [45] This version was deemed unsatisfactory and remained unreleased for 22 years, until its inclusion on the Never Before album in 1987.[47] The June 28, 1965, recording tin likewise exist heard on the 1996 expanded reissue of Turn! Plough! Plough! as well as on The Byrds and There Is a Season box sets.[45] [48] [49]

The band attempted a second recording of the song during August 1965.[45] A program director from KRLA, who was present at the recording sessions, was impressed plenty to play an acetate disc of the track on air, plugging it every bit The Byrds' new single.[46] Yet, The Byrds before long abased the idea of releasing "It's All Over Now, Baby Blueish" as their 3rd single and instead issued the song "Turn! Turn! Plough!".[47] [50] The Byrds' August 1965 version of "It's All Over Now, Baby Blue" has never been released.[45]

Guitarist and band leader, Roger McGuinn, returned to the composition during a July 22, 1969, recording session for the ring's Ballad of Easy Rider anthology.[51] McGuinn decided to ho-hum downward the tempo and radically alter the song's arrangement to fashion a more than somber and serious version than those recorded in 1965.[42] In tandem with the slower tempo, the band dragged the syllables of each give-and-take out to emphasize the world-weariness of the song's lyric.[46] Ultimately, McGuinn was dissatisfied with the recording of the song included on Ballad of Piece of cake Rider, feeling that it tended to drag within the context of the anthology.[46] In add-on to actualization on Ballad of Easy Rider, the Byrds' 1969 recording of "It's All Over Now, Infant Bluish" tin also be found on the compilation albums The Byrds Play Dylan and The Very All-time of The Byrds.[52]

Other covers [edit]

Many other artists have covered the vocal. Joan Baez, who has sometimes been speculated to exist the subject area of the song, covered information technology on her 1965 album Adieu, Angelina.[53] It is one of 4 Dylan covers on that album, the others being the title track, "Mama, Yous Been on My Mind" (recorded as "Daddy, You Been on My Mind"), and "A Hard Pelting'due south a-Gonna Fall".[53] Baez sings "It's All Over Now, Infant Blueish" in a falsetto vox, but retains the ability of Dylan's version.[53] Baez has continued to perform the song at live concerts well into the modern era.[54]

George Harrison, who performed with Dylan in the Traveling Wilburys and likewise co-wrote the vocal "I'd Have Y'all Someday" with Dylan in November 1968,[2] did not cover the song, but did reference the title in his 1987 unmarried, "When We Was Fab". One of the lyrics in the song reads "But it's all over now, baby bluish", which is a nod from Harrison to his friend Dylan.[55]

The song was a source of inspiration for Joyce Carol Oates' short story "Where Are Yous Going, Where Have You Been?", prompting her to dedicate the story to Dylan.[56]

References [edit]

  1. ^ a b c d e f g Trager, O. (2004). Keys to the Pelting. Billboard Books. pp. 319–321. ISBN0-8230-7974-0.
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  3. ^ Heylin, C. (2009). Revolution in the Air. Chicago Review Printing. pp. 227–228. ISBN978-1-55652-843-9.
  4. ^ a b Williams, P. (2004). Bob Dylan: Performing Artist, 1960–1973 (2nd ed.). Omnibus Press. p. 138. ISBN978-1-84449-095-0.
  5. ^ a b c d e f g h i j k "It'due south All Over Now, Baby Blueish review". AllMusic . Retrieved July 23, 2009.
  6. ^ a b c d e Gill, A. (1998). Don't Call up Twice, It'southward All Right. Thunder's Rima oris Press. p. 77. ISBNi-56025-185-9.
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  25. ^ a b c DeWitt, H. A. (1983). Van Morrison: The Mystic'due south Music. Horizon. pp. xvi–17. ISBN0-938840-02-9.
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  37. ^ Erlewine, Stephen Thomas. "The Best of Van Morrison, Vol 2". AllMusic . Retrieved May 8, 2010.
  38. ^ Becker, G. "Van Morrison – It's All Over Now, Baby Bluish album appearances". vanomatic.de. Archived from the original on Jan 1, 2010. Retrieved September 20, 2009.
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  44. ^ Hjort, C. (2008). And so Y'all Desire To Be A Rock 'northward' Coil Star: The Byrds Day-By-Day (1965–1973). Jawbone Press. p. 229. ISBN978-1-906002-15-2.
  45. ^ a b c d e Rogan, J. (1998). The Byrds: Timeless Flight Revisited (2nd ed.). Rogan Business firm. p. 619. ISBN0-9529540-one-X.
  46. ^ a b c d Rogan, J. (1998). The Byrds: Timeless Flight Revisited (2nd ed.). Rogan House. p. 301. ISBN0-9529540-1-10.
  47. ^ a b Hyde, B. (1989). Never Before (1989 CD liner notes).
  48. ^ Irwin, B. (1990). The Byrds (1990 CD box ready liner notes).
  49. ^ Irwin, B. (2006). There Is a Season (2006 CD box ready liner notes).
  50. ^ Rogan, J. (1998). The Byrds: Timeless Flight Revisited (2nd ed.). Rogan House. pp. 127–128. ISBN0-9529540-one-10.
  51. ^ Hjort, C. (2008). So You Want To Exist A Stone 'north' Roll Star: The Byrds Day-By-Day (1965–1973). Jawbone Press. p. 216. ISBN978-one-906002-xv-2.
  52. ^ "Information technology's All Over Now, Baby Blue – Byrds' Version". AllMusic . Retrieved July 22, 2009.
  53. ^ a b c "Farewell, Angelina". AllMusic . Retrieved July 23, 2009.
  54. ^ "Joan Baez U.S. Fall Tour 2005 Report". www.joanbaez.com. Archived from the original on Feb 17, 2012. Retrieved July 24, 2009.
  55. ^ "Five Cases Of Plagiarism Involving George Harrison". Dancing About Architecture. Archived from the original on October 25, 2008. Retrieved July 24, 2009.
  56. ^ Oates, J.C.; Showalter, E. (1994). "Introduction". Where Are You Going, Where Accept You Been. Rutgers Academy Printing. p. 9. ISBN0-8135-2135-one.

External links [edit]

  • Lyrics: It'southward All Over Now, Baby Blueish
  • Janovitz B., Information technology's All over Now, Baby Bluish (vocal entry) at AMG

It's All Over Now Baby Blue With Lyrics

Source: https://en.wikipedia.org/wiki/It%27s_All_Over_Now,_Baby_Blue

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